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A Flat Place: Moving Through Empty Landscapes, Naming Complex Trauma - Noreen Masud
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A Flat Place: Moving Through Empty Landscapes, Naming Complex Trauma - Noreen Masud

Brand: Noreen Masud · Categorie: Nature · Actualizat: 06.07.2026 02:15

111,55 lei123,94 lei

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Pe scurt: \nSharply, subtly, and very movingly, Masud thinks with places, seeking as she does to find a way back into, and then out of, the traumas of her early life. - Robert Macfarlane, author of Underland: A Deep Time Journey…

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\nSharply, subtly, and very movingly, Masud thinks with places, seeking as she does to find a way back into, and then out of, the traumas of her early life. - Robert Macfarlane, author of Underland: A Deep Time Journey \n \n A surprising and lyrical journey--part memoir, part nature book--meditating on the meaning of flatness and its literary tradition to find ways to understand ourselves and our trauma in one of nature's most undervalued wonders. \n \nFor readers of Robert Macfarlane. G. Sebald's Rings of Saturn, Amy Liptrot's The Outrun, and Richard Mabey's Nature Cure \nDoes the concept of flat have an undeservedly bad rap? There are centuries' worth of adoration for rolling hills and dramatic, mountainous landscapes. In contrast, flat landscapes are forgettable and seemingly unworthy of poetic or artistic attention. \n \nNoreen suffers from complex post-traumatic stress disorder: the product of a profoundly disrupted and unstable childhood. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain's flatlands, seeking solace and belonging, she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life. \n \nNoreen's British-Pakistani heritage makes her a partial outsider in these landscapes: both coloniser and colonised, inheritor and dispossessed. Here violence lies beneath the fantasy of pastoral innocence, and histories of harm are interwoven with nature's power to heal. Here, as in her own family history, are many stories that resist the telling. She pursues these paradoxes fearlessly across the flat, haunted spaces she loves, offering a startlingly strange, vivid and intimate account of the land beneath her feet. \n \nMasud combines memoir, nature writing, and literary reflection to explore what can be drawn from these powerful places, and to understand her own experience of complex trauma and post-traumatic stress, as well as grief and loss. A Flat Place is a book that drives to the heart of what it means to experience place -- bodily and psychologically -- and the healing properties of literature and landscape.\n

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